Document Type : Research paper
Author
Faculty member at Payame Noor University
Abstract
The senses are gateways to knowledge acquired from the external world, with sensory examination serving as the key to understanding through touch, taste, smell, visual perception of dimensions, shapes, and colors, and the hearing of sounds. There can be no knowledge without intellect, and no intellect without senses. Given that the senses are the mind's tools, it becomes evident why honing, refining, and cultivating them demands attention. The more one develops and expands their sensory capabilities, the more they can enhance their emotional experience. This is particularly noticeable in poets whose work demonstrates extensive sensory engagement.Using descriptive and analytical methods, this study examines the sensory elements and their role in the poetic consciousness of our blind poet, Al-Tutili. The findings reveal that sensory perception plays a pivotal role in his poetry as cognitive tools compensating for his loss of sight and intensifying his emotional experience. Despite his blindness, he successfully creates a visual world that deeply reflects his feelings through a style that makes readers feel the tension between the beauty of poetic imagery and the sorrow of loss. When vision is absent, it transforms into heightened auditory sensitivity as a fundamental alternative, enabling him to convey his emotional and cognitive experiences profoundly. Meanwhile, he activates touch to construct precise sensory and visual images, revealing the texture of objects as a powerful perceptual tool. The combination of smell and taste creates a unique sensory and emotional duality that adds striking synesthetic imagery to his poetry. The senses integrate in his poetry, emerging as key knowledge gateways that enhance his poetic awareness and open rich horizons for his artistic and poetic experience, making his poetry a reflection of complete sensory awareness that mirrors his rich emotional depth
Keywords
Main Subjects
References
- The Holy Quran
- Al-Buwayhi Lankroodi, Abdul-Ali; Sadeghi Naqd-Ali, Leila. (2023). “The Poetic Language of Salah Abdel-Sabour: A Case Study of ‘When the King Dies’”. Lisan Mobin Quarterly (Research in Arabic Language and Literature). Vol. 14. New Series. Issue 52. 39-45.
- Ibn Bassam Al-Shantarin, Ali Abu Al-Hasan. (1975). Al-Dhakhira fi Mahasin Ahl Al-Jazira. edited by Ihsan Abbas. Beirut: Dar Al-Thaqafa.
- Ibn Al-Khatib, Muhammad bin Abdullah. (1967). Jaish Al-Tawshih. edited by Hilal Naji. Tunis: Al-Manar Press.
- Ibn Sina, Abu Ali Al-Hussein bin Abdullah. (1988). Al-Shifa (1st ed.). Beirut: University Institution for Studies, Publishing, and Distribution.
- Ibn Shakir Al-Kutubi, Muhammad. (1973). Fawat Al-Wafayat.edited by Ihsan Abbas. Beirut: Dar Al-Thaqafa.
- Ibn Manzur, Muhammad bin Makram. (1993 CE / 1414 AH). Lisan Al-Arab. edited by Ali Shiri. (5th ed.). Beirut: Dar Al-Fikr.
- Ikhwan Al-Safa. (1984 CE / 1405 AH). Epistles of the Brethren of Purity and Loyal Friends. (n.p.), Qom: Islamic Information Office.
- Al-Asfahani, Al-Raghib. (n.d.). Al-Mufradat fi Gharib Al-Quran. edited and revised by Muhammad Said Kilani. Beirut: Dar Al-Maarifa.
- Balawi, Rasool; Daryanord, Zeynab. (2021 CE / 1400 AH). “The Visual and Auditory Effects in Mehdi Qureishi’s Poetry Collection ‘Wrinkles of Water’”. Lisan Mobin Scientific Quarterly (Research in Arabic Language and Literature). Vol. 12. New Series. Issue 44. 19-34.
- Al-Tutili, Abu Jaafar Ahmad bin Abdullah. (1989). The Diwan and a Collection of His Muwashahat. edited by Ihsan Abbas. Beirut: Dar Al-Thaqafa.
- Al-Jahiz, Amr bin Bahr. (1965). Al-Hayawan. edited by Muhammad bin Abdul Salam Harun. (2nd ed.). Cairo: Mustafa Al-Babi Al-Halabi and Sons Company.
- Al-Qargholi, Jubair Saleh; Al-Qaisi, Mahmoud Shalal Hussein. (2013). “Emotional Experience: Its Reflections and Impact on the Structure of Naqaa’ed Poetry”. Medad Al-Adab Journal. Issue 5. 74-117.
- Al-Hayani, Mahmoud Khalif Hadheer; Mohammed Mahmoud Abdulrahman. (2022). “The Poetics of Blindness and Vision in the Poetry of Shaker Majid Saifo”. Dialogue Journal of Literature and Criticism. First Issue. Vol. 2. 1-12.
- Khayat, Yusuf. (1988). Dictionary of Scientific and Philosophical Terms. Beirut: Dar Lisan Al-Arab.
- Al-Razi, Fakhr Al-Din Muhammad bin Umar. (1990). Al-Tafsir Al-Kabir (The Great Commentary) or Keys to the Unseen, 1st ed. Beirut: Dar Al-Kutub Al-Ilmiyya.
- Radhi Jabbar, Rabiah; Al-Hasuna, Hussein Majid. (2022). “The Sensory Imagery Formation in Andalusian Nature Poetry: Al-Himyari's ‘Al-Badee’ in Describing Spring as a Model”. Journal of Educational and Human Sciences. Issue 18. 55-68.
- Al-Rafi’i, Mustafa Sadiq. (1904 CE / 1322 AH). The Diwan. Egypt: University Press in Alexandria.
- Al-Rukabi, Jawdat. (1970). In Andalusian Literature. Cairo: Dar Al-Maarif.
- Shukr, Ibrahim Ali. (2014). “Sensory Imagery in the Poetry of Omar bin Abi Rabi’a: An Analytical Study”. Journal of the College of Basic Education. 20. Issue 86. 1-13.
- Al-Safadi, Salah Al-Din Khalil bin Aybak. (1996). Tawshi’ Al-Tawshih. edited by Albert Habib Mutlaq.Beirut: Dar Al-Thaqafa.
- Al-Dhabi, Ahmad. (1989). Bughiyat Al-Multamis fi Tarikh Rijal Ahl Al-Andalus. edited by Ibrahim Al-Abyari. Beirut: Dar Al-Kitab Al-Lubnani.
- Atiq, Abdul Aziz. (1976). Arabic Literature in Andalusia. Beirut: Dar Al-Nahda Al-Arabiya.