Document Type : Research paper
Authors
1 department of Arabic language and literature in the University of Arak, Arak, Iran
2 department of Arabic language and literature in the University of Arak
Abstract
This study examines Sinan Antoon's Taf'aila poem within the collections of "Mooshor Maball Bilharb," "Laylun Wahidun fi Kull al-Mudun," and "Kama fi al-Sama." Through this poem, Antoon breaks free from the traditional poetry constraints created by Khalil and followed by other traditional poets. He expresses his poetic experience using the aesthetic aspects of poetry, drawing on poetic inspiration and codes to achieve his new poetic perspective. The poem's free structure allows for greater freedom of expression, as Antoon can convey his emotions and poetic experience without worrying about specific Taf'aila numbers or the need for rhyme. Contemporary life. The study attempted to answer the question of how Sinan Antoun employed iambic poetry and its rhythm in communicating his poetic experience that he wanted; There are many forms of creativity in terms of selection, selection and employment of a text that gives a product that may exceed the idea of mere selection of words, which is what we call the poetic experience. Antoon's poetry frequently employs rhythm, breaking free from traditional metric constraints by using various geometric shapes to transform his poems into verbal paintings. His poetry showcases examples of Mursal, Muttabi', and Murakkab rhymes that reflect his moods and emotions. However, his work reveals excessive despair and an absence of resolution to the crisis, possibly due to the ongoing nature of the conflict. As a result, the poetic discourse should continue to address unresolved issues.
Keywords
Main Subjects
)