Document Type : Research paper
Authors
University of Kurdistan
Abstract
Among the diverse forms of poetic imagery, the visual image stands out as one of the most significant. It relies on the senses to transmit the poetic experience to the reader, functioning as a gateway through which the poet engages directly with the audience by appealing to their sensory perception. This type of imagery serves as a dynamic semantic device, conveying emotion through elements rooted in sight, and drawing upon color, light, and movement to craft vivid, interpretable poetic scenes. The present study explores visual imagery in the poetry of Fadhil Ibrahim Al-Hamdani, with particular attention to two central modes: images structured around movement and those constructed through color. It examines how each contributes to the expression of inner emotions and the enrichment of the poetic landscape. In addition, the research considers the interplay of the senses, showing how Al-Hamdani’s visual imagery often transcends the limits of vision alone, interacting with hearing and touch to form complex sensory compositions that carry strong aesthetic and emotional resonance. Methodologically, the study adopts a descriptive-analytical approach, analyzing selected poems to uncover the structure and artistic qualities of Al-Hamdani’s visual imagery. The findings demonstrate that Al-Hamdani employs visual structures with remarkable precision, revealing a high degree of linguistic and artistic sensitivity. His visual images serve multiple functions: expressing emotional states, reflecting inner tension, constructing symbolic suggestion, and fostering an aesthetic dialogue between text and reader
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